Mexico is filled with altars that usually include sacred images and a Virgin of Guadalupe retablo. During Day of the Dead a family altar displays photographs of departed loved ones. We are taking this mixed media art workshop, based in Teotitlan del Valle, Oaxaca, Mexico, beyond the norm to create a three-dimensional altar suitable for display. Frida Kahlo is our muse.
4 Days, February 25 – 28, 2016
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e·voke. əˈvōk/. verb
bring or recall to the conscious mind, conjure up, summon up, invoke, elicit, induce, kindle, stimulate, awaken, arouse, call forth
Frida offers us inspiration for constructing an altar about life, womanhood, loved ones, family, health issues, successes and set-backs. We hold up Frida’s image, perhaps in self-reflection, to imagine her life and its challenges and to evoke meaning for our own. We then translate these concepts into an altar or shrine that can be used for wall art, to display on a surface or to design as a shelving unit for collected objects.
Consider making this a self-portrait altar!
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Frida was an avid collector of exvotos and perhaps you would like to merge this simple expression of thanksgiving and devotion in your work, too.
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When we think of Frida Kahlo, we may conjure up many images and words to describe her: a woman of strength, power, frailty, independence, weakness, accomplishment, talent. Biographers say she was fierce, passionate, defiant, innovative, creative, vulnerable. We know she was deformed, in pain, proud.
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Your personal altar can be based on your own experience. We embrace Frida as a metaphor to jump into a new creative realm. Your altar might be a tribute to someone you love who is living or passed on. Your altar might contain a message to send or include as a gift. It can be about you, friends, family or Frida herself.
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About Hollie Taylor, MFA, Workshop Leader
Hollie Taylor earned the BFA from the University of North Carolina at Chapel Hill focusing on painting and printmaking. She then went on to the University of Georgia and received the MFA with a concentration in printmaking.
Hollie taught drawing, printmaking, painting and ceramics at the college, middle and high school levels. For over 20 years, she has taught adult workshops in handmade paper-making, screen-printing, woodcutting, photo-imaging on clay, ceramic hand-building, mixed media art and art journaling.
She is a recipient of the North Carolina Museum of Art annual artist scholarship award. Her work is published in Art Voices South and The Village Rambler. She earned the prestigious National Board Certification for Teaching Excellence and her students placed repeatedly in national shows.
Hollie encourages deep personal exploration, offers demonstrations and samples of finished products. Art produced at her workshops is highly individualistic, broad ranging in style and expressive of the maker. Participants come to the table with varied past creative experiences and she accommodates fully for this range of novice to accomplished artist. She gives personal feedback and encouragement and holds informal discussions to compare intent with outcome, noting what has been learned. A workshop with Hollie is engaging and fun!
A new project for Hollie involves making a book using found family letters and archival photos from Brazil during World War II. This will become a mixed media art show installation based on composites she is rendering in Photoshop to glean new meaning from the material.
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Process and Materials
Using found objects, copies of photographs, paint, paper, memorabilia and embellishments, you will construct either a 8” x 10” three-dimensional sculptural piece or a 12” x 16” flat art wall piece.
Materials We Provide: We provide step-by-step altar-making directions and construction materials, plus selected art supplies such as self-healing cutting mats, box cutters, some acrylic inks, assorted decorative papers, handmade clay medallions and selected ephemera art associated with Frida Kahlo.
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Materials To Bring: A sharp pencil, rubber bands, assorted size small brushes, embellishments such as stamps, charms, shells, milagros, copies of photographs, textiles. Try to imagine what will symbolize the different attribute’s of your altar’s theme and bring what will enhance its meaning. After you register, we will send you a complete list of supplementary supplies to bring. Participants often share for a wider range of choice.
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Resources: Hollie recommends Crafting Personal SHRINES, Using Photos, Mementos & Treasures to Create Artful Displays, by Carol Owen, Lark Books, 2004.
Our Schedule: Daily, 9:30 a.m. to 3:00 p.m. includes catered lunch
Day One, Thursday, February 25: We look at images of altars and sacred boxes, visit church and private home altars, and talk about Frida Kahlo – her style and what she valued. You will come with a concept for your creation, and with Hollie’s guidance you will finish the design and begin to build your project.
Day Two, Friday, February 26: Continue to build your altar, wrapping it, painting it, and gluing it together to form a completed container for what will come next. You may also want to add a door and small shadow boxes to display memorabilia reflecting your concept.
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Rolling on Matte Medium to seal the foam core.
Day Three, Saturday, February 27: Finish altar construction. Begin to decorate and embellish your altar with photos (copies), writing, drawing, found objects and memorabilia you have brought with you.
Day Four, Sunday, February 28: You will add the finishing touches before we hang your finished work for a group show and presentation of your piece, followed by a grand finale mezcal margarita cocktail reception.
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Workshop Cost
Base Cost – Workshop Only: $495 per person, includes all instruction, materials to construct your altar or wall art, hand-outs, guided visits to family homes and churches for altar research, 4 lunches and cocktail reception. This option is designed for people who do not need lodging, and want to travel back and forth daily from Oaxaca city.
Upgrade 1 – Workshop + Share Room: $665 per person shared room with private bath en suite. Includes all of the above plus 4 nights lodging, arriving on Wednesday, February 24 and departing Sunday, February 28 by 6 p.m. Includes 4 continental breakfasts. We assign rooms in order of registrations received. Contact us for availability.
Upgrade 2 — Workshop and Private Room/Bath: $795. Includes all of the above.
How to Register
The workshop does NOT include airfare, taxes, tips, travel insurance, liquor or alcoholic beverages, some meals, and local transportation to and from Oaxaca city. We can arrange taxi pick-up and return from/to the Oaxaca airport at your own expense (approximately 280 pesos).
Reservations and Cancellations A 50% deposit is required to guarantee your spot. The last payment for the balance due (including any add-ons) shall be paid by January 6, 2016. We accept payment with PayPal only. We will send you an itemized invoice when you tell us you are ready to register. After January 6, refunds are not possible. You may send a substitute in your place. If you cancel before January 6, we will refund 50% of your deposit.
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Required–Travel Health/Accident Insurance: We require that you carry international accident/health/emergency evacuation insurance. Proof of insurance must be sent at least two weeks before departure. If you do not wish to do this, we ask you email a PDF of a witnessed waiver of responsibility, holding harmless Norma Hawthorne Schafer and Oaxaca Cultural Navigator LLC. Unforeseen circumstances happen!
Workshop Details and Travel Tips. Before the workshop begins, we will email you a map, instructions to get to the workshop site from the airport, and documents that includes extensive travel tips and information. To get your questions answered and to register, contact: oaxacaculture@me.com
This retreat is produced by Norma Schafer, Oaxaca Cultural Navigator LLC. We reserve the right to make itinerary changes and substitutions as necessary.
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Oaxaca Natural Dye Workshops
Oaxaca Natural Dye Workshops can be scheduled at your convenience whenever you plan to visit Oaxaca. Of course, this depends on instructor availability, too. Ideally, we would like at least two or more weeks advance notice to schedule a workshop on the dates you prefer.
The one, two or three-day workshops, 10 a.m. to 3 p.m. each day, are held in the historic center of Oaxaca city. The location is within a five minute taxi ride from the Zocalo or you can choose to walk 20-minutes to get there. We send map and directions after you register and pay your deposit.
You will take home recipes/formulas for each dye and a wool sampler of colors you make during the workshop. The sample includes 5 grams of each color. This is a workshop to learn the process. If you want to bring your own wool to dye, the cost is 10 pesos per gram extra with a maximum of 10 grams per color.
Featuring private and small group workshops.
The Complete 3-day Workshop (32 colors)
Day 1–Prep for the Process: 10:00 am to about 3:00 pm — This is a preparation day. You will prepare grey and white wool with a mordant, in order to achieve 30 different colors on Day 2 and Day 3! We will talk about natural dyes in Oaxaca, and make the extract of pericón (wild marigold) and pomegranate.
Day 2–Red, Yellow, Brown: 10:00 am to 3:00 pm — You dye with pomegranate and pericón (wild marigold), then prepare extracts of cochineal (acid and neutral), the insect that produces carminic acid to give an intense, colorfast red.
Day 3–Rainbows & Overdyes: 10:00 am to 3:00 pm — You will prepare an indigo vat, make a shibori scarf design, then dye with indigo to get various shades of blue. With an indigo over-dye, you will get a range of purples and greens to master the color variations.
Private workshop fee is $470 USD for one person. $425 per person for two or more people.
The 2-day Workshop (11 colors)
Day 1: 10:00 am to about 3:00 pm — First you begin to understand the natural dye process by first applying a mordant to the white wool. This takes time, and we wait until the wool is sufficiently “cooked” so that you can prepare it to create 11 different colors. You will then dye with pericon (wild marigold) and pomegranate, and make an extract of cochineal (acid and neutral).
Day 2: 10:00 am to 3:00 pm — You will prepare an indigo dye vat and then use the wool you dyed on Day 1 to make over dyes that will yield purples and greens.
Private workshop fee is $290 for one person. $265 per person for two or more people.
The 1-Day Workshop: Cochineal Only
From 10:00 am to 3:00 pm you will start the mordant process, discuss natural dyes in Oaxaca, start the mordant process, and prepared extracts of cochineal as you change the pH of the dye vat to yield 12 different colors of red.
Private workshop fee is $235 for one person. $195 per person for two or more people.
One-day Indigo Dye Workshop—click here for details and complete description
Notes:
About Your Instructor: The workshop instructor is a knowledgeable expert in the natural dye process and materials. She provides dyed wool and cotton yarns and thread for many of Oaxaca’s famous weavers and textile designers, and she works with textile designers worldwide to offer customized colors that are used in fashion and home goods.
Reservations and Refund Policy. To reserve, we require a 25% non-refundable registration fee. The balance is due on the first day of the workshop payable in CASH in either USD or MXN pesos at the exchange rate of the day.
Please let us know if you have any questions.
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Posted in Clothing Design, Cultural Commentary, Textiles, Tapestries & Weaving, Workshops and Retreats
Tagged class, Cochineal, course, fustic, indigo, Mexico, natural dyes, Oaxaca, pericon, shibori, study, wild marigold, workshop