Tag Archives: politics

Book Preview–Milpa: From Seed to Salsa, Oaxaca Food, Recipes, Sustainability

When I visited photographer Judith Cooper Haden in her Santa Fe home recently, she showed me the final proofs for Milpa: From Seed to Salsa, Ancient Ingredients for a Sustainable Future. The book explores the Mesoamerican way of growing, cooking and eating food.

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The photography is stunning! Four years in the making, the book is a collaborative visual narrative filled with pictures that touch your heart, delicious recipes you’ll want to cook, and cultural commentary to understand more about how Oaxaca’s original people grow their food and the risks associated with environmental devastation.

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The book will be ready for printing, distribution and purchase shortly. It is a combined effort by community development organizer Phil Dahl-Bredine, Jesus Leon Santos, Goldman Environmental Prize winner and director, Center for Integral Small Farmer Development in the Mixteca (CEDICAM), cultural photographer Judith Cooper Haden and chef/teacher/author Susana Trilling.

You can pre-order this book today!

haden.judith@gmail.com, 505-984-9849 USA

With 289 pages and 267 photographs and bilingual presentation, it explores food issues, presents mouth-watering recipes, and offers stunning documentary photography about how the ancient agricultural knowledge and the wealth of 1,000 year-old seeds and planting practices are being revived in the environmentally devastated Mixtec region of Oaxaca. Through example, the narrative can help us meet the ecological, health and food crises of today.

This is a taste of what is to come.

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Judy Haden says, “I had no idea I was initiating a 4-year long odyssey when I asked Phil Dahl-Bredine, a 14-year resident in the Mixteca Alta, if I could somehow help him and the non-profit CEDICAM.  This first discussion over hot chocolate on the Zócalo quickly became the seed of a ‘political cookbook’ that incorporates Phil’s thought-provoking essays on local food and international sustainability issues, heritage seeds and the ill effects of GMO’s, Susana Trilling’s tasty and carefully tested traditional recipes from our Mixtecan cooks/contributors, and my own images.

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“The sepia portraits and the color food shots are, I think, so helpful in really understanding the conditions and the situation in the Mixteca Alta (a short hour north of Oaxaca City). Susana and I traveled to many small towns and villages over two years to interview the members of CEDICAM (http://www.cedicam-ac.org/) and spend hours with them learning and documenting their delicious recipes, and the planting of the crops. We visited feast days, religions holidays and private homes. Our plates were always full! 

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“The book is divided into different sections based on each milpa crop. As Charles C. Mann explained in 1491: New Revelations of the Americas Before Columbus, “A milpa is a field…in which farmers plant a dozen crops at once including maize, avocados, multiple varieties of squash and bean, melon, tomatoes, chilies, sweet potato, jícama, amaranth,and mucana….Milpa crops are nutritionally and environmentally complementary.”

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The book has received heart-warming advance endorsements from many people, including Grammy award-winning singer/songwriter Lila Downs, vegetarian chef and author Deborah Madison, agro-economist Miguel Altieri, photographer Phil Borges, Chef Iliana de la Vega, seedsman Steven Scott/Terroir Seeds and food author Peter Rosset. This is very gratifying to the authors after working so long and hard on this project.

Milpa: From Seed to Salsa is an extraordinary book in many ways. It is a hopeful book that shows in careful detail how extremely well the old ways of farming and living in community can not only feed rural populations but also provide them with medicine and fodder for animals.  This is a viable alternative to big agriculture and so-called improvements from elsewhere; this is a fine example.

Milpa is also a remarkable book because, like the community of families that tends the milpa fields, this book is product of cooperation among some very extraordinary people—two activists, a chef, and a photographer, who all found a way to bring to light a story of hope with great wisdom and beauty, with the cooperation of the Mixtec community who live the life this book allows us to witness. I am so grateful for this book. It is a treasure.

~Deborah Madison, Chef, Writer, Teacher, James Beard Award winner.

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Judith Cooper Haden with Mixteca women

The book is bilingual (Spanish and English), with 290 pages and 276 images. It is beautifully printed in full color. Regular retail is $40.  Pre-orders through August 31st receive a 10% discount and a signed copy….and the first 25 pre-orders will receive a free 5”x7” brown-toned image from the book.  Shipping is additional. We use USPS Media Rates. Ship date is late September 2015. For orders and additional info, please write to:  

Judith Cooper Haden, haden.judith@gmail.com

Artist Salvador Dali at Port Lligat, Girona, Spain

Port Lligat on Spain’s Costa Brava, is a niche in the rock wall coast line of the Mediterranean Sea, just around the bend from Cadaques. This tiny fishing village is where surrealist artist Salvador Dali lived and painted for most of his adult life.

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We ended up here more or less by accident, since we had booked no hotels in advance between our visit to the Dali Theatre-Museum in Figueres and our last three nights in Barcelona before returning to San Francisco. Our only plan was to rent a car and go.

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This was both wonderful and a mistake. Wonderful because our path took us to Cadaques and Port Lligat, two glorious, sun bathed Mediterranean villages hugging two coastline coves.  The mistake was, without planning, we hadn’t bought advanced tickets for the Dali house admission, so we didn’t get in.

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No matter! The gardens and views are amazing and there are plenty of surreal sculpture installations to capture the imagination, including a baby grand piano spilling its guts.

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The house is perched on a rock hill overlooking the sea. It is studded with olive trees, outbuildings, patios and flowers planted in teacup pots. Videos give visitors a complete art history into Dali and his wife Gala’s life here, along with all the idiosyncracies of his controversial life, politics and religious views.

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In front of the swimming pool, designed a la a surrealist’s view of the Alhambra palace complete with lion fountains, a Pirelli tire sculpture frames the famous Mae West lips sofa. All visitors take their turn posing on the sofa for a photo.

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Dali and his wife Gala bought the small fisherman’s cottage in Port Lligat from his childhood nursemaid. He developed and expanded it over the years, and it became the place he retreated to. The rock outcroppings of place take on surrealistic forms in his paintings.

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Lips are a Dali icon. In the 60’s he made ruby studded gold lips worn as a pin. If you want, you can buy a glass knock-off in any of the affiliated museum shops along with moustache adorned t-shirts and Dali-designed perfume bottles. The man was definitely an entrepreneur who capitalized on his reputation and his talent.

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The surrealists discredited him. Leftists disowned him. Priests embraced him. Socialites basked in his aura. Hollywood gave him entrée. He appeared on the cover of Time Magazine at age 32. Sigmund Freud was his hero.

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Art critics weigh in about his apolitical position of the Spanish Civil War. Some say everything he did was sexually and psychologically motivated. Others say he was an exploiter and showman. He was said to have applauded Franco’s assassination of his good friend, poet Federico Garcia Lorca as a surreal moment of life.

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Whatever you think of Salvador Dali, his work is astounding and a visit to his birth place of Figueres and the Dali Theatre Museum is a must if you go to Barcelona. It’s only an hour north by AVE fast train going 200 km/hour.

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We hadn’t planned on going to the beach because we are no longer sun worshippers. But, we needed a respite from visiting so many cities (Barcelona, Bilbao, Granada, Girona, Figueres) and historical/architectural points of interest.

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Cadeques turned out to be the perfect place to settle for three nights. I would recommend longer. Five days wouldn’t be too long! More on Cadaques to come. Everything about being in a white-washed Mediterranean village is true. In Spain, it’s even more true because of the food and the people, to say nothing of the leisurely strolling and shopping.

Dali_27-23 It’s a dog’s life, too. Not just for Salvador Dali.

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Forgotten Murals of Abelardo Rodriguez Market, Mexico City

The fresco murals painted by Diego Rivera‘s disciples on the walls of the Abelardo Rodriguez Market in Mexico City are a historic art treasure at risk. Most on the first floor are deteriorating, peeling, fading, etched by attempts of graffiti at knife point, hidden by stalls, storage areas and obscured by dust.  Yet, they are a must-see.

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The disciples of Rivera came to Mexico City to learn from the master.  Many were political idealists from the United States like Pablo O’Higgins who later became a Mexican citizen, the Greenwood Sisters — Marion and Grace, and Isamu Noguchi.

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The murals are a backdrop to a bustling city market where vendors sell mostly everything from fresh fruit and vegetables, poultry, dairy products and household goods. There are comedors and juice stalls. Pull up a seat.

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Be greeted by giggling pre-teen girls who are on vacation this week from school and are tasked with babysitting while their parents tend the stalls. Yes, they are on Facebook. And, yes, I shared this photo with them.

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Pull up a seat to order a chicken taco or hot pozole. Most barely notice, if at all, the frescos that were painted in 1936. This was a time of political discontent, growing fascism, and the crisis of a worldwide economic depression.

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Naguchi mural is a bas relief sculpture

Then as now, Mexico City was an international hub for artistic expression and the Big Three — Rivera, Siqueiros and Orozco attracted young artists who wanted to take part in the Mexican Muralist Movement, born from a strong tradition in the graphic arts and especially the work of Jose Guadalupe Posada.

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Marion Greenwood paints the second floor stairwell at the back of the market

Today, we are on an art history quest, Looking for Diego Rivera and Frida Kahlo, accompanied by an art historian who knows her stuff!

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Today, we went to the Abelardo Rodriguez Market, but not before first visiting the Secretaria de Educacion Publica (SEP) and Colegio de San Ildefonso, where we saw the earliest frescoes of Rivera, Siquieros and Orozco.

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My friends Cindy and Chris are with me on this art history adventure. I stayed with Chris and her husband Jeff after my knee replacement surgery in North Carolina last November. This is Chris’ first trip to Mexico.  Cindy came to Oaxaca seven years ago but has never been in Mexico City before. Today we walked almost 12,000 steps according to my FitBit.

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The muralists took risks. Their work was political commentary and a call for change: better health care, equal rights for women, a fair wage for workers with better working conditions, elimination of exploitation and a social system that provides food and shelter for families. They foreshadowed World War II in their work.

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And in honor of Chris’ new favorite food, huitlacoche, I post the following photo:

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Huitlacoche, corn fungus at its finest!

If you are interested in bringing a small group of friends to Mexico City for this art history tour, please contact me.

 

 

Tonina, Hidden Chiapas Archeology Gem: The Road Less Traveled

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Few people make Tonina, the classic Maya archeological site just beyond Ocosingo, Chiapas, a travel destination. Instead, they choose to go between San Cristobal de Las Casas and Palenque directly, bypassing the most vertical site of the ancient Maya world. It’s another three hours by road to reach Palenque, which demands at least one overnight stay. (Do you see us at the top?)

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From San Cris, Tonina can be navigated in about a day-long round-trip, giving you several hours at the site.  We left at seven-thirty in the morning and planned to return to San Cris by seven in the evening, including a one-hour stopover in Oxchuc to stretch and see textiles.

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It’s a long and winding road. We traveled from seven thousand foot mountains studded with pines to lowlands bordering the Lancandon rain forest filled with tropical vegetation, banana palms and adobe huts with thatch roofs.  The mountains fall fast to almost sea-level over this almost three-hour journey, so the road curves sharply. Ginger is a great antidote.

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This is EZLN territory, and Zapatista politics for and by the people prevail here. It is not unusual to come across an occasional roadblock demonstration. This is a common method for anti-government protest in both Chiapas and Oaxaca. There are grievances here. Sometimes for a donation, vehicles may pass. Other times, it’s important to know alternate secondary routes and have a full tank of gas when passage on the main highway isn’t possible.

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At Tonina, we had an on-site Maya guide who participated in site excavations ten years ago. He played here as a child.  Our multi-lingual guide who traveled with us from San Cristobal, anthropologist Mayari (meaning Maya princess), fluidly translated between Spanish, English and Tzeltal, the regional Mayan dialect.

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There were at most ten other people at Tonina. From the top of the Pyramid of the Sun there is a spectacular view of the Ocosingo valley. Mayari tells us that Frans and Trudy Blom would fly in a single engine Cessna to Palenque and the Lancandon rainforest in the early 1950’s.  She made that trip, too, with her archeology father as a child.

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After most of us climbed to the top (not me this time, because of my new knee), we enjoyed a picnic lunch back at the site entrance, where a small, excellent museum hold pieces excavated from the site.  When I was in Mexico City recently, a huge exhibition (now closed) on the Maya world at the Palacio Nacional prominently featured treasures from Tonina.

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Then we back-tracked to Oxchuk.

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Oxchuk weavers work on a back strap loom and then embroider the textiles by hand.  If you turn off the main highway and venture onto the town’s main streets, you will find family run shops supplying huipils to the women of the local community.  The quality is first-rate and the price is about half of the cost as in San Cristobal.  Definitely worth a deviation. We were a curiosity since I suspect not many tourists make a stop there.

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By now it was dusk and as we approached the intersection beyond Huixtan to turn onto the highway just about fifteen miles from San Cristobal, there was a roadblock demonstration. We turned around, bought two five liter jugs of gas at a roadside stand, asked a local man and his son to go with us (for a fee), and set off on an alternative back road through the mountains that would take us into San Cristobal.  They carried official local papers authorizing travel across mountain communities.

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We arrived back at our hotel only an hour later than we had planned. For reassurance at the outset, I called our hotel to tell them our whereabouts and route while our very competent guide Mayari notified ATC Tours to track us on GPS.  Risk of danger? Little to none.

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One of our participants said this was definitely an adventure story worth retelling! It was the last day of our two week Oaxaca and Chiapas art and archeology study tour. What a grand finale, wouldn’t you say?

The Journey Begins: San Cristobal de Las Casas, Chiapas, Mexico

Most of our Penland School of Crafts travelers continued on with me from Oaxaca to explore Chiapas. Our journey began at the ADO bus station where we boarded an overnight luxury bus called the Platino with twenty-five reclining seats, leaving at 8:30 p.m. and arriving in San Cristobal de Las Casas at 7:30 a.m. the next day.   ChiapasBest45-16

Our destination, La Joya Hotel, is our base for exploring the art and archeology of the region. It’s a long and winding road! I recommend taking ginger drops in water, eating some crystallized ginger and taking a sleep aid! Hosts Ann Conway and John Do prepare a spectacular first night Thai welcome dinner after we visit Sergio Castro and his museum. Next, bed!

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Chiapas vies for the title of Mexico’s poorest state along with Oaxaca.  It is a sorry competition.  Both states are filled with isolated mountain communities that have little access to health care, education, nutrition and employment. Rural life is tied to the land where people cultivate corn, squash and beans and weave on backstrap looms. The result is the creation of magnificent textiles, a tourist draw. Isolation has preserved tradition at a huge cost and the politics are complex.

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Chiapas is rich in Maya culture filled with pre-Hispanic, indigenous folk practices blended with Spanish-introduced Catholic beliefs.  Known as syncretism, we can see this in every corner of life ranging from food to textiles to religious celebrations today.  The Mayan world spans southern Mexico, Guatemala, Belize and Honduras and her political borders are artificial and seamless.

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Our expert first day guide is Patrick, fluent in English, who studied archeology and history at University of California at Berkeley, son of a Mexican mother and Irish father. His uncle was the famed Bishop Samuel Ruiz Garcia, who mediated the peace treaty with the Zapatistas and the PRI.

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We learned much from Patrick about Spanish colonialism, the cultural and political history and the life of indigenous people. One cannot visit Chiapas without putting the textiles into the context of the people who make them.

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That’s why we include a visit to the Sergio Castro Museum as an introduction to Chiapas life on the first day, after a walking tour of the great pedestrian avenues of San Cristobal de Las Casas with Patrick.  Much has been written about Sergio.

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Sergio Castro is a hero, folk legend and medicine man who treats indigenous people who have suffered burn injuries at no cost.  Donations from visitors like us help fund medicines and supplies. He has won many humanitarian awards.

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We see everyday and ritual clothing. We see the skull rattle and string instrument made from gourds. We learn about the Maya language variations and the Lancandon tribe in the forest who escaped Spanish colonization.

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The photos on this post include our walking tour around San Cristobal de Las Casas, and our visit with Sergio Castro to see his textile collection of the region and understand his work.

We are not guides but educators. Norma Hawthorne Shafer has spent over 35 years at major universities organizing and delivering award winning educational programs for adults. When you travel with us you can rely on getting an in-depth experience from local experts who are most knowledgeable in their fields. We can include hands-on workshops to enrich the learning experience. Our forte is developing customized programs for arts and cultural organizations like we did for Penland School of Crafts.